Showing posts with label Tragedy. Show all posts
Showing posts with label Tragedy. Show all posts

Miss Levine, in Memoriam

Breanna LeVine (December 28th, 1983 - April 1st, 2010)

"Miss Levine" by Beats Antique [Click to Download]

dedicated to Breanna LeVine

Two children from the Tribe of the Desert fell into darkness this year, leaving their bodies behind. One was Miss LeVine, a child of many, many names... and she fell by her own hands.

It is a choice none can take from her.

The impact she had on the lives of so many artists can be felt even at this moment. The famed artist Android Jones, upon hearing of her passing, created a truly stunning portrait of her: In Memory of Breanna Levine

Wishing All Aching Hearts
Can Find Refuge In Love
Quickly And Effortlessly



Fare well, 2010. Travel well, Miss Levine... and happy birthday

David Lynch - I Know

"I Know" by David Lynch
Directed by Wyatt Denny

Embed Code: (Click to Highlight)


...a gun with a note tied onto it, reading "Kiss Me"

Kindness

Before you know what kindness really is
you must lose things,
feel the future dissolve in a moment
like salt in a weakened broth.
What you held in your hand,
what you counted and carefully saved,
all this must go so you know
how desolate the landscape can be
between the regions of kindness.
How you ride and ride
thinking the bus will never stop,
the passengers eating maize and chicken
will stare out the window forever.

Before you learn the tender gravity of kindness,
you must travel where the Indian in a white poncho
lies dead by the side of the road.
You must see how this could be you,
how he too was someone
who journeyed through the night with plans
and the simple breath that kept him alive.

Before you know kindness as the deepest thing inside,
you must know sorrow as the other deepest thing.
You must wake up with sorrow.
You must speak to it till your voice
catches the thread of all sorrows
and you see the size of the cloth.

Then it is only kindness that makes sense anymore,
only kindness that ties your shoes
and sends you out into the day to mail letters and
purchase bread,
only kindness that raises its head
from the crowd of the world to say
it is I you have been looking for,
and then goes with you every where
like a shadow or a friend.


by Naomi Shihab Nye, from "Words Under the Words"

with thanks to Tim Ferris

The Launch of Vapoura

"IO Vapoura [Variations]" by San Jaya Prime began today (July 7) with the opening track "Gongo Dodan". There will be a new track up for free download every week until all thirteen are available. As each track will have its own artwork (and many will have alternate cuts), we're embedding the full album player with artwork:


For notes on the tracks, storyline and more, check the main page here:
- vapoura.trochlearrex.com

Updates:
[2010.07.24] - Changed player to artwork and added more details

Eviction Notice



"Eviction Notice" by Megan Kennedy (FallenIdle)

Dear Mrs. Singleton,

I'm sure you don't remember me. I may have been one of many students who felt the sting of your proverbial whip, past and present; I may be the only one. I'll never know. You may even be dead by now, and for that, speaking ill of the dead will no doubt upset a balance I'll have to right at some point. I accept this, because I am done giving your teeth a place to rest in my dying body.

Being as old as you were, I'm sure you'd long forgotten what it was to be a child, and how badly things in society had changed since your day, when people were actually afraid to get divorced and kids didn't come home to an empty house. No doubt, this effected your ability to understand that some students in your classroom were far less fortunate than others, in ways they didn't cause or comprehend, and adjust your sensitivity accordingly. Or maybe you were just at the end of your crotchety old life and had stopped giving a shit.

But my secrets are done being kept. Whatever your reasoning, you have to leave me.

I can't remember the name of the book, now, that you were reading aloud to the class. But I was 100% sure that at some point, you uttered a word that I'd gotten my mouth washed out with soap for saying; something not meant for 5th grade ears. I was scared, but my mother had always taught me to tell the truth and if I was uncomfortable, to say something. That I had every right to stand up for myself, and she would always back me up if I believed in it.

I did the only thing a mind that little could think of: I went to your teacher, Principal Foote, and told him how upset I was. I remember walking into that big, dark office, shaking in my Power Rangers sneakers; it didn't help that Principal Foote was a lovechild between Merlin Olsen and a lumberjack. But he was a kind man; when I wrote a Fairy Tale about him years earlier for a class assignment, word reached him and he asked me if he could keep the story, he loved it so much. How would he react to this, though?

I told him what had happened. Sitting on the edge of the chair, squirming and fidgeting like I still do today, almost as if I'm afraid to stop moving lest I keel over and die, I told him what you had said and that I didn't think it was appropriate for a classroom. I remember saying that: "appropriate for a classroom". I didn't know if he felt like laughing or yelling. He knew I wasn't a troublemaker, because this was only the second time we'd met. I don't think he knew what to make of me.

Oh, but you did, didn't you? You made me out for what I was: A spoiled little shit trying to smear the good name and reputation of a dedicated teacher in the golden years of her career. A liar, a failure. An outcast. You screamed at me after Principal Foote called you into his office, shook your long skeletal finger at me and said "How dare you! How dare you accuse me of this!" And when my mom finally came (I still don't know who called her, or why), you yelled at her. You scolded her for raising such a disobedient daughter, for raising a liar. But my mom looked right at you and said, "She doesn't like attention. If she says she heard something, she heard something. Does she look like she's enjoying this to you?"

But you, Mrs. Singleton, you weren't about to be distracted with petty logic or rationality. No, you had a war to fight, a war against an eight-year-old girl bold enough to not be afraid of you. Did you even realize what a threshold all your students stood on, or had you forgotten in your long years as an adult? Because each and every one of us dangled over a vast canyon of darkness, and at any moment, our safety line could snap.

You had two roads before you that day: A defensive shield, an arrogant knee-jerk emotional response to show your horror at the accusation; or, you could slow down and consider that, perhaps, the entire exchange was a big misunderstanding. The class room is big, with so many distractions; maybe this little girl is just mistaken, and a few kind words and a promise that you'd never talk like that to students would fix everything. You chose the former, and you changed everything. So often I've cried, wondering what would have happened if you had chosen different.

It's not hard to break a child, Mrs. Singleton. It's not hard to make a child believe in an unreality of your creation, simply because it is what you want them to think, or because it keeps them quiet and complacent. But, as you must be aware, breaking a child's spirit and mind is easily the moral equivalent of beating or sexually molesting them; perhaps even worse, because the psychological signs disguise themselves much better than bruises or blood, and fester much deeper. I fear on the other side, you will find no hands to shake, congratulating you for your success, your resilience, your ability to handle dissent. For that I pity you, because then you must stand before whatever god and power is there, and explain exactly why you chose to break me. I hope that he shows you my life, shows you the consequences of my own choices based on the fear you put in me; not to blame you, for I chose my own path, but to fully illustrate to you the beauty of this universe and its flawless interconnectivity. For one thing I've learned is that many of us take for granted the ripple effect our actions take on others, and I've done my best to remember what power I have, the same power you abused so carelessly.

When you made me move away from the other children, because I was a 'distraction', you made me paranoid and sure I was meant to be alone. Your actions told me I wasn't good enough, and I believed you, because you were still an elder I was commanded to respect.

When you made me re-do papers with no direction as to what I did wrong, or graded me unfairly, you taught me that sometimes my sweat and smarts mean nothing, if a person in the right position of power chooses it to mean nothing. You should note that after this incident, I got the first non-As of my life, and after I had left you my grades returned to normal. Even a child can understand that.

When you denied me participation with my friends by keeping me in recesses to "search that book for what you thought you heard", or rejecting my applications to be in school plays, or stealing away the one dream I had to play in the Students vs. Faculty basketball game, a once-in-a-lifetime goal that you gave to students younger than me just to keep me out of it, you showed me that not only are authority figures wrong sometimes, but there is nothing preventing them from acting more childish than children. You showed that for me to trust another authority figure would be a stupid, stupid mistake; I trusted you, after all, at one point. And now, it's difficult for me to hold a job, because of how hard it is for me to be blindly obedient to even the slightest appearance of someone who thinks they have power over me. I have no problem obeying someone I trust, but once that's lost, I cannot in good conscience follow and relinquish my power to another, and society doesn't exactly understand that. So often I find myself in that same chair you had me in, being scolded for doing what I think is right, punished for standing up for something my apparently misguided brain mistook for being important. And how do I explain it to the husband depending on me when I have to report my failure? Does he understand when I tell him every instinct I had told me to fight? Are my instincts right, Mrs. Singleton? You hold the answer, because you took it from me that day, and I've never gotten it back.

When you made me cry in front of the class during a weekly meeting because I'd asked a classmate for time to play with my best friend alone, without her, you showed me true cruelty for the first time in my young life. You made me a social outcast, a joke, and the taunting that began after you threw me to the wolves would not end until I was forced into a mental hospital just to survive. You sold me out to pre-teens, Mrs. Singleton, kids trying to scramble their way to the top of the social ladder with everything they've got. And what do you do? You toss them a sacrificial lamb.

Your terror made me retreat inside myself, and I almost drowned in the darkness I found in there. I used to slice my arms open just to let some of it out, and relieve the pressure, and I will forever bear the scars and curious stares. I want you to feel that, too. I want to take you by your liver-spotted hand and lead you into eternally shadowed forest where that little girl ran away to, after you tore open her heart. I want to show you the beasts that stalk me, and the ones that I stalk; I want you to see the moon in here when it glows red and evil and turns the black oceans into a quiet mirror of blood and death. I want you to hear the monsters as they breathe, crawling closer and closer; I want you to hear your own hyperventilating as you wonder if they will reach you this time.

And when we emerge into a dark, cold city, I want you to feel the stares and laughs and taunts. I want you to hear all the terrible things they say about you, the wolves who smell your fear. I want you to feel them circling and snapping and drawing blood, a little at a time, as you cry and beg for mercy. Then you will scream as they drag you away. They rip you to shreds, and others rebuild you like a rag doll and pump you full of numbing drugs and send you stumbling like a zombie back out into the world. And you will never be as afraid as you are in that moment, even though the clouds gathering at your feet are still as dark as ever, and you know it isn't over. Now every god, prayer, devil, promise, lover, friend and dream has a dark secret buried in its belly. Now nothing is a true friend to you, because you understand how deep minds and truth and reality are; you know they have monsters, just like you do, and how do you trust a monster? How does anyone trust you? Are you here, Mrs. Singleton? Are you real? Did you know, this is all a foolish dream?

As you writhe in the arms of insanity I would tell you, this is not a punishment. This is an education, just like the one you gave me. Universally, truth has always been the most painful of all burdens to bear, and yours will be no different. And you can soothe yourself afterwards with all the stories of people who, no doubt, loved you till the end of their lives, thought you were an angel from god, and remember that all is not lost. It's true, Mrs. Singleton; all is not lost, nor is it simple to understand.

But before you go into that good night, I must implore you to take all your truths with you on your way out. Too long your disease, your fear, your terrible mistakes and ignorant arrogance have feasted away at my soul and pulled me back down into the darkness I've fought tooth, claw and nail to escape. And you are done. You chose to make yourself a part of a child's life, and you failed her.

The very least you owe her is a second chance.

I am the queen of this forest, and however dark it may get, these monsters are mine and mine alone. No longer will you rule them.

So take your claws and your hatred and be gone from my fucking mind. Because the sacrificial lamb you created is become the wolf, and she is done with your lies.



This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License.

Celebrating the Marlboro Monopoly Act

Marina
I thought I'd celebrate today with a very brief review of case studies on smokers, a bit of info on previous smoking bans and some random other tidbits. As of today, the Marlboro Monopoly Act (aka, the Family Smoking Prevention and Tobacco Control Act) has made all cigarettes containing these flavors illegal: (not menthol), strawberry, grape, orange, clove, cinnamon, pineapple, vanilla, coconut, licorice, cocoa, chocolate, cherry, and coffee. This is restricted only to cigarettes (wrapped in paper) and not cigars (wrapped in tobacco), so the clove industry (the only tested smoke with health benefits) has already begun making cigar versions of their clove products. This is also the beginning of a 12-year plan for the FDA to greatly reduce the amount of tar and nicotine in all American cigarettes at a slow rate.

The negatives are well-known at this point, so here are some positives that've gone without mention:

* Smokers are more honest than non-smokers (to the point where a commentator on the study referred to this as "abrasively honest"). [1]

* Smokers generally have an increased sex drive, 55% of aged 19-27 smokers being in sexually active relationships as opposed to 15% of non-smokers (the gap increasing as age does). [2]

* Smokers have an increased reaction-time (7% quicker), process information more quickly (21.65% quicker) and have improved short-term memory (5.76% higher retention). [3]

* A fifth of smokers only smoke four days out of the week. Men populate the majority of heavy smokers while women have less success quitting. [4]

* Most smokers believe smoking is worse for you than it really is, overstating health disorders and mortality rates. [5]


As to non-smokers, there is a long history of anti-smoking policies found most heavily in totalitarian governments. From the closure and burning of smoking cafes in Persia to early American 9-pin alleys, but the only one that beats out current U.S. policy is that of Nazi Germany. It should be noted that this most recent policy is nothing new, as America has trended more and more towards both Fascism and Communism for close to a century. Here are tidbits on anti-smoking from the master race:

* From Hitler, himself: "Tobacco is the wrath of the Red Man against the White Man for being given hard liquor." [6]

* Smoking was banned in all public places, government offices, shared living quarters and by any uniformed police and officers. [7]

* Smoking rose by almost 50% during the Nazi anti-smoking propaganda period. [8]

* Germany raised more than a billion Reichsmarks a year from 1937 to 1941, contributing to 1/12th of the funding used to build their army and launch the war. [9]

* "Passivrauchen" (trans. "Passive Smoking") was coined by the Nazi Anti-Tobacco League. Fritz Lickint, its author, gave no evidence to support its claim against environmental poisoning nor for the claim that coffee caused cancer, although both his statements were worked into Nazi propaganda. [10]

* The Nazi Reich Health Office produced posters stating that smoking was the filthy habit of Jews, Gypsies, blacks, intellectuals and Indians. [directly from preserved posters]


References:

1. "Smoking: The Artificial Passion", David Krogh
http://www.amazon.com/Smoking-Artificial-Passion-David-Krogh/dp/0716722461

2. "Smoking, Personality and Stress", Hans J. Eysenck, King's College, London, England
http://www.amazon.com/Smoking-Health-Personality-Hans-Eysenck/dp/0765806398

3. "Effects of nicotine and smoking on event-related potentials: a review", Pritchard W & Sokhadze E & Houlihan M., St Thomas College, New Brunswick, Canada
http://www.ncbi.nlm.nih.gov/pubmed/11498715 [summary]

4. "Individual Differences in Smoking and Nicotine Addiction", Saul Shiffman, University of Pittsburgh
http://www.drugabuse.gov/meetsum/nicotine/slides/21Shiffman/ShiffSlides.html

5. "Smoking: making the risky decision", "Patterns of Risk Perception", W.Kip Viscusi, Harvard

6. "Hitlers Tischgesprache im Fuhrerhauptquartier", Picker H., Bonn: Athenaum Verlag, 1951

7. "Die Genussgifte", Rauchverbot fur die Polizei auf Strassen und in Dienstraumen, 1940;36:59

8. "Smoking and death", Smith G D & Strobele S A & Egger M, BMJ1995;310:396

9. "Der Tabak, sein Anbau undseine Verarbeitung", Reckert FK. Tabakwarenkunde, Berlin-Schoneberg: Max Schwabe, 1942.

10. "Berlin: alcohol, tobacco and coffee", JAMA 1939;113:1144-5

Information on Marlboro's Family Smoking Prevention and Tobacco Control Act:
http://en.wikipedia.org/wiki/Family_Smoking_Prevention_and_Tobacco_Control_Act



Lastly, one more factoid on smokers: the majority of innovators, as well as early adopters, are smokers. With the heavy research going into locating, securing and maintaining a pool of innovators within each company, the profile of an innovator is very well known at this point. For my last three months before leaving my previous job, the top three performing agents in the world were all found most often in the forest outside the building smoking together. Rock! Here is one of the first studies that discovered this:

"Psychological characteristics of innovators", Abraham Pizam, European Journal of Marketing, ISSN:0309-0566
http://www.emeraldinsight.com/Insight/viewContentItem.do?contentType=Article&contentId=852555



Suicide Through Pleasure by ~Ally23 on deviantART

Commercials: High Fructose Corn Syrup



Commentary: If the industry has turned to advertising, that means they have felt some serious hits to their wallets. Multiple studies link HFCS to obesity, insulin resistance and, most recently, liver damage. An oft quoted source being the studies made by Sharon Elliott, Nancy Keim, Judith Stern, Karen Teff and Peter J Havel. The fact that they use a genetically modified enzyme during processing, let alone the amount of processing itself, removes the "no artificial ingredients" part of their claim.

The fact is that HFCS is cheap. It's Cheaper due to government subsidies for the corn industry, as well as economic tariffs on cane sugar. This has made the industry the booming mega-sector in the market that it is... hopefully, we'll see the day when they are a niche market.

The ads are reminiscent to the "Got Milk" campaign from the early '90s forward. These commercials lack the "stickiness" of that campaign, however. Also, they've launched the campaign too late, when Americans are already switching to organic markets. Americans are already too keen on the effects of HFCS. However, with milk, they launched the campaign before the information age could reach people. Most people remain unaware of the bone erosion and brittleness caused by the animal protein acids in milk, let alone the increased vulnerability to Parkinson's Disease and Prostate Cancer.

Cutting cheese out of my diet may never happen... but going back to high fructose corn syrup will never happen.

David Ho

The Artistry of David Ho

URL: davidho.com

Images and content within this entry are copyright David Ho
[click an image to open viewer]

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Candice Learns Zen

Candice Hides Inside Herself

Candice Holding a Tree Branch

Candice in a Kimono

The Lovers

Contemplation 6

For the Glory of Something

God's Project

World Order

One Step Closer

Something to Believe In

Temptation

Pig 5


Re-presented with permission. For professional images, and a much greater selection, visit the artist's main site.

with thanks to Dendro and Lata for my introduction

House of Leaves


House of Leaves
by Mark Z Danielewski

URL: www.onlyrevolutions.com
Amazon: House of Leaves [trade paperback]
Wiki: wikipedia.org/wiki/House_of_leaves
Rating: 5/5


if you steal her once, steal her twice, or free us with a glance--for an only child is the only chance to end this wicked curse--the only way, we say, you rid a sea with dance and banish love to verse.


A Book of Many Distortions

Have you ever held a vial of mercury? Do you remember your surprise that first time? Your surprise to find the weight your eyes had told your hands to expect was a lie? This is the experience that often comes to mind when finding myself again holding this book... each time I find myself tempted to once again wander the halls within the House of Leaves.

This book is heavy, much more physically weighty than eyes say it should be. Whether this was intentionally crafted by the creators, or if this is only a residual psychosomatic phenomenon as a result of having read the book, I couldn't say. Both are plausible. Because of how much work was put into distorting this book, I suspect the former cause.

If so, this is only the first of a great many intended distortions. "House of Leaves" is a work of art that appears to be a book, and draws heavily from the genre of literature. It then adds from much more experimental fields to create a specific effect, while simultaneously telling multiple stories. The end result (at first glance) could be mistaken as "just some book". This sensory illusion quickly falls apart shortly into the reading.

Mercury. The reason such a small quantity is so heavy, of course, is due to density. There is simply more matter contained in the occupied space than past experiences have prepared your mind to expect. This darkness, density and weight is the intended effect behind "House of Leaves". The family at the core of this story, trained by experience to expect time and space to operate in only one way, first meet with this darkness upon the discovery that their house is larger on the inside than on the outside.

To briefly cover the introduction, the days following this discovery were barely captured, and only on some home video footage and notes. Zampano, who pieced this all together with tape, ink and every available writing surface, called this "The Navidson Record". Johnny Truant, who took the dead Zampano's notes from the apartment of the deceased, claims that this record is a lie. Both, however, realize that the truth or falsity of this record does not affect the story's telling.

What follows is The Navidson Record, detailing these last days, with footnotes from Zampano, Johnny Truant and The Editors. As previously stated, it is not long until... well... things fall apart. The family, the minds of those who passed on the notes, and the book itself.

If you've not yet read "House of Leaves", something inside me wants to tell you "this book is for you" ...and... "put aside everything else 'til you've read it". The more honest part of me--the part that's been stirred to raw emotions at only the thought of this book, and can open to nearly any page to feel my eyes tear up--wants to let you know that, should you finish it, this book will not leave you as the same person you were before entering the House of Leaves; that, here, there is no forgiveness, no salvation, no yellow-brick road; that, within these pages is a creature of shadow, and that this darkness adapts to you--the reader--the more you read.

To those readers strong in spirit, who seek that rare strength found only in facing an even stronger fear: "Seek ye, in the House of Leaves, a forge to form or break your spirit." To all else: "Seek ye, elsewhere, your salvation."

Mind you the opening words in this book:

this book is not for you


Rate this review here.



(Untitled Fragment)

Little solace comes
to those who grieve
when thoughts keep drifting
as walls keep shifting
and this great blue world of ours
seems a house of leaves

moments before the wind.


~ Copyright Mark Z Danielewski ~
~ a work of ONLY REVOLUTIONS ~
~ Pantheon Books, Random House, Inc. ~
Opening poem and "Untitled Fragment" are copyright Random House Publications. All rights reserved. Inclusion permitted via the Fair Use subsection of the United States copyright law of 1976.

with thanks to Zero for my introduction

Darren Aronofsky's "The Fountain"


Movie: The Fountain
Director: Darren Aronofsky
Rating: 5/5

URL: thefountainmovie.warnerbros.com
Amazon: The Fountain on DVD
DC Comics: The Fountain Graphic Novel
Wikipedia: [link]
Genres: Cinema, Graphic Novel, Literature

Images & video contained herein are copyrighted trademarks of Twentieth Century Fox Film Corporation. All rights reserved. Property of Fox.

Death is the road to awe.

There was a story... a story of a man and a woman in a garden...

Given the chance, I would thank Darren Aronofsky with all my heart for writing and directing this movie. Given enough time to express my gratitude, it would overflow next upon Clint Mansell, who scored the soundtrack that I played for a month straight after seeing the movie. I would gladly extend my thanks to Hugh Jackman, Rachel Weisz, Ellen Burstyn and all those who had a hand in weaving the motions of this love story through three different time periods.

First, however, my thanks to Aronofsky. Entering into this, he had to know ahead of time that nearly none would understand nor appreciate this movie. The story he had wanted to express via the medium of cinema for six-years has finally been told. Nearly anyone can appreciate the audio and video of the movie. For these alone, I suggest this movie to anyone. I do so, however, without any expectation that it will strike them as powerfully as it did myself.

While Aronofsky has worked on more than two movies, it was "Pi" and "Requiem for a Dream" that launched him into success. Both of these were advertised almost entirely through word of mouth. The only difference with "The Fountain" is the release of a trailer that has seen play in many theaters. Add to this the incredible ability he has to create an obsessive fan base, and you have one interesting advertising campaign. It's part of the culture surrounding these movies.

Clint Mansell, the mastermind behind the striking score to "Requiem for a Dream", returned to score "The Fountain". Brief glimpses into this new score, along with the trailer and a synopsis, can all be found at the official website. For months, the website had only moving images and music.

Hugh Jackman ("X-Men", "Swordfish") plays the male protagonist, and Rachel Weisz ("Constantine", "The Mummy") plays the female protagonist. The story is the ancient quest for the Fountain--the sap from the Tree of Life that gives any who drink from it everlasting life. Weisz (as Queen of Spain) sends Jackman into the New World in search of Eden where (as a conquistador) he is naturally pitted against the native guardians of Eden. The chief of these guardians wields the Flaming Sword and introduces one of the movies central themes: "death is the road to awe". This is only one stage out of three that the movie plays out upon, though the quest remains the same... until the end of time.

On a closing note, this is a work of art. Many have warned not to go into this expecting a movie. Although it uses the medium of cinema, it is more an artistic expression than a movie. The level of sensory input, combined with the quality, is on a level reminiscent of opera. Both a strong intellect and strong intuition are highly suggested to appreciate the grandeur of this story, to empathize with its characters and take the initiative to answer the questions Aronofsky will never answer for you.

Sidenote: Anyone interested in alchemy will find symbolism enough to last the promise of forever. The Reality Principle (Circle within a Triangle within a Circle) may as well be the movie's key symbol. It's found throughout the movie along with the well-told mythos of the Trinity.

Together we will live forever.


Updates:
- [2010.07.25] - Removed section on "The Fountain Remixed". Site is down. Updated layout. Changed "Death Is the Road to Awe" video to official trailer. I'm not sure how many times I can update this post. I'm well aware that I can never get it "right" enough for myself, but working on it usually means obsessing for hours over content and words only to find a day has passed. The movie means a lot to me. It changed my life. That's about all that needs to be said... that and "thank you" to every last creature who even delivered coffee to the set of this movie in order to get it made. So "thank you". Frakking thank you.
- [2009.03.29] - Removed Amazon video widget; enlarged book cover image; migrated ending press image; updated copyright/trademark info per Fox; updated links; changed ending video; updated links to open in a new window/tab; new review is pending.
- [2008.04.27] - Book cover added to beginning. Cleanup in Amazon Widget HTML.
- [2008.03.03] - Fountain Remix Project section added. Corrected link in YouTube to this entry. Removed "there's a cure" quote.
- [2007.09.21] - Press release images put in place of non-sourced images. Copyright and trademark information included. Amazon widget added to play trailer and link to DVD. Format cleanup.

V for Vendetta

Movie: V for Vendetta [Amazon DVD] [Amazon Blu-ray]
Director: James McTeigue
Rating: 5/5


warning: spoilers

Penny for the Guy?

I haven't read the graphic novel. I expect this lends a great deal to why, for me, this movie was bloody soul-striking.

I'm a revolutionary, not an anarchist. Given the choice between statism and anarchy, however, I'd take anarchy in a heartbeat. "V for Vendetta" is the tale of one man's vengeance with the ultimate aim to liberate a nation, running in tandem with the existential journey of the woman who is forced to take his side. They are V and Evey.

Incorrectly marketed as an action movie, this is more a drama and an obvious political commentary on the state of the world. To me, the most important aspect of this story is the journey of Evey, who begins the movie living a life of fear. Her journey begins with a flight out of terror, until she is forced the face her fear and, eventually, her death.

When at last she is given death, the growing parallels throughout the movie combine, until the visions of V's breaking and Evey's breaking unite in fire, in water, in screams and in tears. In this moment, I knew that I loved this movie.

Others will follow what is purported as the main story until its end, marked by its own inspirational terror and beauty. The price of blood is blood, and the character V is one of flesh and blood. Knowing this, the end is apparent.

To revolutionaries, anarchists and all those who have ever broken entirely only to find something "else" just behind the curtains of life--this movie is waiting. To those seeking an action movie with car chases and bullets firing in every other scene, this movie will disappoint.

Welcome

For the most part, this blog isn't about me per se, but about those things that strike me so hard that I feel inspired to share them. Be it the arts, politics or science, Mall of Me has been built slowly since 2006. I have no aim to blog every day. Expect quality over quantity. Here's a quick intro...

Right: On our right, you'll see the tags (causatives) for the site. I'll go into details on each tag a little farther down. The archive of posts is just below the tags, followed by my Top Three picks from the worlds of the written, the seen and the heard. "The List" is just below those, filled with books on personal development that can actually be applied to life as a praxis. Posts that have been deleted (as well as the reasons for deletion) are listed in the Pathic Purges. My signature and the Polyamory Awareness and Acceptance Ribbon round out the right column.

Left: No Speaken El Engles? No problemo. Clicka da flag most close to your language and Google will translate for you. I should mention now that I'm offensive and speak (badly) more languages than are likely healthy. I click the flags anyway... mostly because I love cultures and I can learn from them by reading what I've written in other languages. We do large features for very specific artists (some music, some visual). I have one lined up who's art was writing. The list shifts around as they are updated and as new ones are added. Below the features are blogs that may do guest posts here or who we just like in general. You can find places where Mall of me has been cataloged in the WW.Infektions area, then track visitors on the world map below it.

Here is a brief description of each label used as causative:

Audio: Any entry focused on music, an opera or a speech would all go under audio. If it goes in the ear as a foci, it gets labeled as such.

Code: Code is the software side of technology, and can be related to the memetic coding of the human creature or of a computer. There's no differentiation, but technology is the manifest symptom of the code.

Comedy: Anything that makes me laugh and tends towards the lighter side of life is going to get the Comedy label.

Experience: If you have to experience "it" to understand "it" (or if it requires physical action--dancing, climbing, building), then it goes under "Experience".

Mathematics: Don't ask.

Mythology: Anything that taps into a mythos or religion of the world will be labeled with the "Mythology" causative. Because these are so ingrained in our cultural coding, mythos has a huge affect on both art and science.

Objective: While there's no attainable objective-view, I use the "Objective" causative when I'm presenting the work of another without my own commentary or judgment call directly expressed. I leave others to decide for themselves.

Philosophy: Anything that taps into the intellectual sensations and beckons the mind to ask, think and act will be quickly labeled as "Philosophy". It's one of my favorite drugs.

Politics: If it has to do with war, economics or government, then it is going under "Politics". As everything is political, my use of this is in the global, ruling sense.

Subjective: If I'm reviewing or expressing heavy opinions, it goes under subjective. I'm a hard judge. The Austin poetry slam scene refers to me as "the Russian judge". Most things on Mall of Me will not be lowly rated unless my aim is to deter. Five out of five is the highest rating.

Technology: I'm a technophile and actively participate in movements coordinated in bringing about the replacement of this species thru technology. As such, anything I post having to do with cyberpunk, human enhancement or anything else having to do with technology will be labeled as such. h+

Tragedy: Tragedy can have humor, but its path lies in the pain and joy born from passion and desire. Catharsis is my favorite form of tragedy.

Transcendent: Very rarely there comes along something that transcends the genre it was formed in. It is no longer "just a movie" (e.g., "The Fountain"), no longer "just a book" (e.g., "House of Leaves"), no longer "just a party" (e.g., "Burning Man"). These things often defy description and they'll likely come with the "Transcendent" causative.

Video: If it teases the eye (no matter whether a pictures or animation), it goes under video. As a fire wyrm, I have a particular weakness to videographic sources, and so there's a lot of "eye candy" under this label.

Walkthru: Walkthrus are guides that I've put together. They're designed to take a portion of how I operate with a tool and explain how others can apply it. While potentially useful, they are completely subjective and may not be for everyone. As such, I suggest that none should follow them.

Written: While technically translated via the eye, "Written" causatives are meant for the psychology of the being--in grades of intellectual and emotional. Written can cover news feeds, books or just a quote.


A Note on the Forth Turning: This is the forth evolution of Mall of Me since 2006. Besides basic layout changes, there are now options to share as well as express various states of like and dislike. I may be phasing out the idea of temporary posts (previously, the causative "temp.post"), but may retain this facet. I'm moving more towards the idea of large features and mini-features and keeping my "self" out of it even more.

Long gone are the days of Google Ads on this blog and there hasn't been a shout widget since the third evolution. No more feeds from Fark or Dilbert... and Last.fm hasn't had a quality sound player for years. Deleted. Sending mad shout outs in love to all the artists who've shared their amazing works here and to every one of you who have stopped by from the far corners of the world.

If you're an artist and would like to be featured, contact me. Be sure to include links to your galleries, audio players or writings. Also, include permission to re-post content as well as the titles of pieces or songs that this permission applies to (if it's limited). I can't guarantee a full feature, but I also can't resist promoting anything that I love.